On Supply – Artwork Jewellery Discussion board

There are such a lot of causes to buy artwork jewellery…

  • You bought that hard-earned promotion—rejoice!
  • You’re experiencing a once-in-a-lifetime event—honor it.
  • You wrapped up that main accomplishment—pay it tribute!
  • You need to mark the start of a brand new relationship or the top of 1—commemorate it.
  • It’s your birthday—hurrah!
  • Possibly it’s an funding—do it.
  • It’s the right piece to spherical out a facet of your assortment—pounce!
  • Or maybe it’s to deal with your self—simply because.

Artwork Jewellery Discussion board’s worldwide gallery supporters rejoice and exhibit artwork jewellery. Our month-to-month On Supply sequence permits this in depth community of worldwide galleries to showcase extraordinary items personally chosen to tempt and encourage you. Have a look. You’re certain to discover a improbable piece you merely have so as to add to your assortment! (Please contact the gallery instantly for inquiries.)

Agathe Saint Girons, Red Be(a)d
Agathe Saint Girons, Pink Be(a)d, necklace, leather-based, silver, white gold, coral, roughly 420 mm lengthy, photograph: Elsa Vanier

Artist: Agathe Saint Girons
Gallery: Galerie Elsa Vanier
Contact: Elsa Vanier
Retail: €1,980

Agathe Saint Girons’ jewellery all the time tells an intimate story. This brief one-off necklace carries sturdy that means. The coral beads mimic blood and life. This five-row necklace each adorns and protects a susceptible a part of the physique. The human kind is a pure supply of inspiration for Saint Girons. Each doable angle of imaginative and prescient is a vector for creativity, whether or not topic or object, actor or observer, in fusion or in battle. Many tales with out finish, like life itself.

Ruth Allen, Urchin series
Ruth Allen, Urchin sequence, 2018, pendant, glass, waxed cotton twine, photograph: Michael Couper

Artist: Ruth Allen
Gallery: Fingers Gallery
Contact: Lisa Higgins
Retail: Every NZ$480

Working with scorching glass has been an integral a part of Ruth Allen’s life for 32 years. “The straightforward blown bubble holds the dynamism of inside and outdoors area,” says the artist. “Mild is trapped inside and hovers over the floor. I benefit from the meditative time taken carving the floor of the Urchin. [As I use] conventional Venetian strategies of battuto, my thoughts drifts and travels, as do my palms. The blown kind slowly transforms right into a hieroglyphic transcript of expertise. Working the floor via a number of processes creates a depth to the area that the Urchin occupies and those that put on it.”

Aurélie Guillaume, Soft Rock #5
Aurélie Guillaume, Smooth Rock #5, 2021, brooch, enamel on copper, sterling silver, positive silver, pure gold, chrome steel, glitter, 57 x 55 x 19 mm, photograph: Anthony McLean

Artist: Aurélie Guillaume
Gallery: Galerie Noel Guyomarc’h
Contact: Noel Guyomarc’h
Retail: CAN$1,375

With the Smooth Rocks items, Guillaume continues the theme began throughout her exhibition Le Poème. She evokes a poetic imaginative and prescient of its instant atmosphere by amplifying her standard reference to nature, typically inert however to which she provides a life with tenderness and humor. Particular consideration to element! The rock is you!

Flóra Vági, Velvet Wood
Flóra Vági, Velvet Wooden, 2016, brooch, balsa wooden, pigment, acrylic paint, silver, metal, 100 x 60 x 40 mm, photograph: 4

Artist: Flóra Vági
Gallery: 4 Gallery
Contact: Karin Roy Andersson
Retail: €800

There are issues we have now no phrases for. Flóra Vági works in a language that’s understood with out phrases. She describes her items as “newly dressed souls” and that’s precisely what they’re. Vági works principally in pure supplies like paper or wooden, however in her palms the supplies become one thing new. It’s as if she is giving water to a seed that grows to be a tree or a flower; masking a worm in silk, making it turn out to be a butterfly; or placing a go browsing a hearth, turning it right into a black piece of coal. She finds and brings out the soul of the fabric and he or she offers it a brand new id.

Jess Dare, Frangipani Lei
Jess Dare, Frangipani Lei, 2021, powder-coated brass, chrome steel cable, sterling silver, photograph: artist

Artist: Jess Dare
Gallery: Zu design – jewelry + objects
Contact: Jane Bowden
Retail: AUS$3,190

Frangipani Lei, by Jess Dare, is a heartfelt response to Beresford White Impressed, an exhibition at Zu design that celebrates the work and lifetime of an inspiring maker, Beresford White. “After I invited Jess to make a bit for this present she was hesitant,” says Jane Bowden. “Her work could be very totally different from Beresford’s. I defined that I had requested her as a result of I knew that her companion had proposed with one in every of White’s rings.” The neckpiece Dare produced sits completely throughout the present, and the story behind it has moved many guests: “The day Marcus proposed we had been in Bali,” says the artist. “That night time we had dinner on the seashore and had been gifted Frangipani leis. I hung the leis in our room. For two weeks they slowly wilted, collapsed, and browned as their scent obtained sweeter. This Frangipani Lei, in weighty brass, takes me proper again to that second—a day I’ll eternally treasure, as [I do] the ring on my finger, made by Beresford White.”

Fumiki Taguchi, White Fragment Red
Fumiki Taguchi, White Fragment Pink, 2021, brooch and pendant, positive silver, sterling silver, paint, 150 x 40 x 30 mm, photograph: artist

Artist: Fumiki Taguchi
Gallery: Platina Stockholm
Contact: Sofia Björkman
Retail: US$2,500

This piece by Fumiki Taguchi could be worn as a brooch in addition to a pendant. It expresses the artist’s perceptions of time, and the sensations and feelings hidden in ephemeral reminiscences. Fading moments are visualized by layers of hand-sawed silver and coloured silver powder. The piece is skillfully made with ornaments and the floor fragmented as if it had been dissolved. Taguchi lives in Japan and works as affiliate professor at Kobe Design College. He reveals worldwide and has acquired a number of prizes, together with the distinguished Herbert Hofmann Prize.

 

Elena Gorbunova, Roots and Wings (alternate title: Daily Routine of a Goddess
Elena Gorbunova, Roots and Wings (alternate title: Each day Routine of a Goddess), 2021, brooch, upcycled plastic, malachite, metal pin, 40 x 30 x 40 mm, photograph: courtesy of the artist and Galerie Door

Artist: Elena Gorbunova
Gallery: Galerie Door
Contact: Doreen Timmers
Retail: €225

Russian artist Elena Gorbunova is fascinated by communication and the relationships between materials and immaterial worlds. This work is aptly titled Roots and Wings: the small sculpture stands firmly with each legs on the bottom and on the similar time gives the look of having the ability to rise, to fly. The type of this brooch is open and presents the chance to put up or (quickly) retailer one thing. It makes you surprise why the choice title is Each day Routine of a Goddess. Discover out extra about Gorbunova’s work within the present exhibition Matches and Unions, at Galerie Door.

Attai Chen, Necklace
Attai Chen, Necklace, 2021, paper, paint, silver, gold leaves, 125 x 105 x 60 mm, chain 550 mm lengthy, photograph courtesy of Galeria Reverso

Artist: Attai Chen
Gallery: Galeria Reverso
Contact: Paula Crespo
Retail: €4,374

“My work primarily offers with the fluid id of matter and our relationship with it,” says Attai Chen. “I search to create objects that symbolize a relentless state of movement of their bodily look and illustration. … I create work that has a considerably modular and dynamic id, the objects current in a liminal context, resulting in a number of doable reflections concurrently.”

Lydia Hirte, Jewelry Sculpture N. 5
Lydia Hirte, Jewellery Sculpture N. 5, necklace, drawing cardboard, photograph card, calligraphic ink (extremely gentle resistant), wooden glaze, beading silk, photograph courtesy of Thereza Pedrosa Gallery

Artist: Lydia Hirte
Gallery: Thereza Pedrosa Gallery
Contact: Thereza Pedrosa
Retail: €610, with free delivery

Lydia Hirte’s work primarily revolves across the spatiality, path, and motion of the drawing card. The artist all the time goals to hyperlink wearability with the sculptural kind. When working, she takes benefit of the pliability and stability of the drawing card to carry it to the bounds of formability. For her it’s important to create an excessive state within the materials, to really feel the bodily power of the bundles underneath pressure and to impress their reactions, reaching every time an impressive and unrepeatable form.

Mona Taylor, Saturn Ear Cuff
Mona Taylor, Saturn Ear Cuff, 2021, ear cuff, brass, 57 x 60 x 25 mm, photograph: Elliot Keeley

Artist: Mona Taylor
Gallery: Baltimore Jewellery Heart Gallery
Contact: Shane Prada
Retail: US$200

Mona Taylor is a multimedia artist, innovator, creator, and designer. She likes to create artwork in several genres, together with voice, music, motion, and adornment. In 2017, Taylor launched Armóur, and has been designing jewellery for the model that follows three maxims: 1. Fuse vogue with well being via using therapeutic and natural supplies. 2: Innovate in each area Armóur enters and make all work processes as environment friendly as doable. 3: Create items which have by no means been seen earlier than. Not too long ago, whereas finishing a three-month residency on the Baltimore Jewellery Heart, Taylor created a line of copper and copper alloy jewellery for Armóur that makes use of therapeutic and environmentally sustainable metallic. Copper, a Venusian metallic, possesses nice therapeutic means, metaphysical properties, and performance past aesthetics.

Bridget Parlato, Thoughts and Prayers (front and back)
Bridget Parlato, Ideas and Prayers (back and front), 2018, necklace/breastplate), handmade chain element with repurposed costume loop clasp and dummy bullet toggle bar, discovered and bought objects: tins, storybooks, toy AR15, pretend bullet, forex, 381 x 152 x 25 mm, photograph: artist

Artist: Bridget Parlato
Gallery: Sculpture To Put on
Contact: Lisa M. Berman
Retail: US$2,600

Created by Bridget Parlato. The established artist explains, “This piece is a response to the rising quantity of mass shootings in the USA. When the Sandy Hook Elementary college taking pictures took 20 first graders and 6 of the varsity’s staff in 2012, I assumed gun insurance policies would lastly be amended. As of 2020, there have been 2,409 mass shootings within the US (https://ncvc.dspacedirect.org/deal with/20.500.11990/1725). Whereas ideas and prayers are pretty to supply, sending them shouldn’t be quantifiably saving lives. This piece is made out of confectionery tins, youngsters’s books, toys, and a dummy AR15 bullet. The entrance contains a bucolic picture of completely dressed youngsters from one other (safer?) period, praying over their picture-perfect meal minimize from a cookie tin. It’s mounted on a disc constructed from items of a youngsters’s guide. The toy AR15 (the favored gun of mass shooters within the US) hangs like a jewel in its personal bezel made out of the hardcover jacket of that guide. On the again, a storybook farmyard scene lies on the wearer’s chest, near the guts. The scene contains a gathering of farmyard animals circled round a lifeless child hen. The pet has truly killed the chick and the neighborhood appears on on the loss of life, frozen in non-action, encircled within the phrases ‘We provide up our ideas and prayers.’ The rifle is backed by a US greenback that got here to me stamped with the phrases ‘Not for use for purchasing elections.’”

Tore Svensson, brooch from the 27 Square Cm series
Tore Svensson, brooch from the 27 Sq. Cm sequence, 2004, metal, gilt, fired with linseed oil, 45 x 90 cm, photograph: Anders Jirås

Artist: Tore Svensson

Gallery: Mydaybyday Gallery

Contact: Laura H Aureli

Retail: €500

This month, Mydaybyday Gallery, in Rome, is that includes the gorgeous paintings of artist Tore Svensson, along with his distinctive brooch from the 27 Sq. Cm sequence, from 2004, in metal, gilt, and fired with linseed oil. “From a sq. of 6 x 6 cm, a fourth is taken away and 27 sq. cm stays,” says Svensson. “Divide, displace. Divide into a number of components. Give a few of them a sample. Even when the expression of the brooches could be very totally different, the whole space of all of them is 27 sq. cm. From a fundamental form, new and surprising shapes, new indicators and symbols come up.”

Marianne Schliwinski, Graffity Allende
Marianne Schliwinski, Graffity Allende, 2016, ring, papier-maché, newspaper print, paint, iron, 150 x 115 x 40 mm, photograph: Jürgen Eickhoff

Artist: Marianne Schliwinski
Gallery: Galerie Spektrum
Contact: Jürgen Eickhoff
Retail: €1,800

This ring shouldn’t be solely a hoop. You may see in it the custom of European Pop-Artwork and Nouveau Réalisme like Mimmo Rotella. Making with a bit of artwork a creative assertion and a cultural/political assertion. That’s what the artist has in thoughts.

Shahrzad Motallebi, Untitled
Shahrzad Motallebi, Untitled, 2021, necklace, polyester, silver, dimensions differ (the necklace could be very extendable), photograph: Catarina Silva

Artist: Shahrzad Motallebi
Gallery: Galeria Tereza Seabra
Contact: Tereza Seabra
Retail: €500 + delivery

Shahrzad Motallebi is a younger designer fascinated by mathematical artwork. She likes to work with numbers and develop visible algorithms. Her means of creation begins with producing a single form as the primary element of her work. Then she creates a system of connection and multiplication and applies it to that element. On this means of creation, she will get to discover innumerable unpredictable prospects of matching and connecting a single form, and it is rather thrilling.

Shinji Nakaba, How Dare You Finger
Shinji Nakaba, How Dare You Finger, brooch, carved pearl, 18-karat gold, 38 x 13 x 13 mm, photograph courtesy of Gallery Loupe

Artist: Shinji Nakaba
Gallery: Gallery Loupe
Contact: Patti Bleicher
Retail: US$2,200

Shinji Nakaba is a recent Japanese jeweler who renders pictures in minerals, shell, pearls, and metal, in addition to upcycled aluminum cans and plastic bottles. The idea of magnificence is Nakaba’s guideline. Referring to it as “harmless magnificence,” he believes it has the potential for systemic redemption. He presents jewellery in an unconventional method, by usually participating motifs related to prurient pleasures. Along with typical topics, reminiscent of vegetation and flowers, he indicators the surprising via erotic imagery—a lone breast, buttock, or penis—carved with the utmost realism.

Written by colin

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